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PREMIUM SPOTLIGHT ON SOMEONE HAS TO DIE SPANISH PERIOD SET SERIES STREAMING OVER AT NETFLIX: HOMOPHOBIA, CONSERVATISM AND FAMILY OBLIGATIONS IN 1950S SPAIN

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   SOMEONE HAS TO DIE   
NEW NETFLIX MINI SERIES
Someone Has To Die streams over at Netflix
Earlier this winter we talked about the historical brutality of homophobia in Mexico when we spotlighted Dance of the 41 drama, and the same topic appears in their new period set mini TV series SOMEONE HAS TO DIE which is available for watching over at Netflix. Would you believe that they even had special prisons for torturing gay people? This three episode drama, starring Cecilia Suárez, Ernesto Alterio, Ester Expósito, Alejandro Speitzer, Carlos Cuevas, Isaac Hernández, Mariola Fuentes and Carmen Maura, is set in conservative 1950s Spain, where the alleged relationship between a young man and a Mexican ballerino creates an uproar of harrowing consequences.

SOMEONE HAS TO DIE IS SET
in Spain, 1954. The Falcon family enjoys all the trappings of high society, even as Francisco Franco’s nationalist dictatorship crushes dissent under the bootheel of the state and shuttles undesirables into prisons and factory labor. Gregorio (Ernesto Altiero), the father, is a Francoist bureaucrat and
This historical mini series airs in three episodes
domestic tyrant who rules over the family’s home and social fortunes with his scheming, traditionalist mother in tow. His wife Mina (Cecilia Suarez), originally from Mexico but long a member of Spain’s elite, sees the greater world changing but is stuck under Gregorio’s thumb. The Falcons’ only son
The series was written and created by Manolo Caro
Gabino (Alejandro Speitzer) has just arrived home after a decade spent with Mina’s family in Mexico. Gregorio has arranged to marry Gabino to Cayetana (Ester Esposito), favorite daughter of the wealthy Aldama family. The match would secure the Falcons in society, and grease the wheels for state
The series comes from the House of Flowers creators
labor contracts to run through Senor Aldama’s network of factories. Papa’s seemingly got it all sorted. Problem is, Gabino’s come back from Mexico with a “friend,” a lithe young dancer named Lazaro (Isaac Hernandez). And children of any age or privilege rarely do what their parents tell them.


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